Everything Florence Pugh has worn in 2026, ranked from least to most daring

Pugh wore a black Patou gown to see Cynthia Erivo’s “Dracula.” It had a high neckline and short sleeves, hugging her figure until it hit the floor.

A subtle horse pattern was printed on the dress, which added a fun flair. Still, the gown was pretty simple overall, especially when compared to other looks Pugh has worn in 2026.

Pugh attended the Netflix event in a white gown designed by Simone Rocha.

The floor-length dress had a subtly scooped neckline and puffy, long sleeves. A flower was printed on the center, lining the length of the gown.

The dress was beautiful, but it wasn’t her most daring look of the year.

Pugh appeared at the annual film festival in a Max Mara set.

Her tank top had a scooped neckline, while her wide-legged trousers sat high on her waist.

The outfit had a simple color scheme and silhouette, but Pugh made it look more stylish with strappy heels, wide sunglasses, and a clutch.

Pugh made a series of appearances in New York in September to promote Netflix’s “East of Eden.” For one of them, she wore wide-legged white trousers and a peach blouse from Chloé.

The blouse had ruffle detailing on the bodice and sleeves, and the hems were slightly ruffled as well. The top’s texture added a fun pop to the look, as did Pugh’s tiny sunglasses and rattan purse.

Pugh chose a black dress to speak to Seth Meyers during her New York tour. The neckline was covered in tiered ruffles, while the rest of the dress was made of a silky material.

One side of the skirt showed a slit that cut up her leg, while a panel of sheer fabric covered the other. The skirt gave the appearance that it had been ripped, contrasting with the more structured bodice.

Pugh also wore sunglasses with the gown, despite it being nighttime, for a chic touch.

Attending the 2026 Emmys as a presenter, Pugh walked the red carpet in a purple Vivienne Westwood gown.

The form-fitting, strapless dress had a sparkly overlay, and rather than traditional sleeves, a bold, modified cape attached to both sides of the bodice.

A train trailed behind Pugh for even more drama.

Netflix hosted a screening of “East of Eden” at BAFTA in London, and Pugh celebrated the limited series’ release in a black Rodarte gown.

The ball gown had a modern gothic vibe, standing out from Pugh’s go-to red carpet style, which often consists of simpler silhouettes.

Large, ruffled sleeves sat off her shoulders, while the neckline curved in a point on the bodice. A large skirt flowed out from her waist with tiers of ruched fabric and a bow in the center.

Pugh wore another Rodarte ensemble for an “East of Eden” photo call, diving into the brand’s archives for the look.

Her white, shiny top was made of semi-sheer, ruched fabric. Tiers of fabric flowed out from the high neckline, creating volume and a funky feel.

She paired the bold top with high-waisted, wide-legged pants and a belt that said “Rodarte” in overlapping letters for another playful touch.

Erdem designed Pugh’s dropped-waist gown.

The dress had a V-neckline that dipped low on Pugh’s chest, and crystal embellishments adorned the bodice. Fringed fabric lined the hem of the full, asymmetrical skirt, accentuating her Aquazzura shoes.

Pugh also stepped out in a Chloé romper during her New York visit.

The strapless top had a semi-sheer, white overlay, while the shorts were trimmed with the same lace. Pugh paired the piece with silver Aquazarra heels.

The outfit struck a fun balance between feminine and modern.

Pugh stopped by “The Tonight Show” while promoting “East of Eden.”

She chatted to host Jimmy Fallon in an off-the-shoulder Vivienne Westwood gown. The form-fitting dress was covered in ruching, creating dimension. The scooped neckline dipped low, and the asymmetrical skirt cut high on her thigh on one side.

Coordinating Aquazarra shoes completed the look.

Dior designed Pugh’s look for the London photo call.

The base of the ensemble was a white blouse, which she buttoned all the way to her neckline. Atop it, Pugh wore a patterned coatdress that cinched at her waist and had an asymmetrical hemline.

It flared around the back, providing coverage, while rising on one side to show the shirt below.

Pugh celebrated the Marvel film in a silver Tamara Ralph gown.

The off-the-shoulder neckline curved around Pugh’s arms, creating the illusion that the dress was floating around her.

It dipped into a low V in the center, with tassels of sparkly fabric flowing to her waist in the same shape. The skirt hugged her figure, with more tassels spilling out from the hem.

After attending the New York premiere for the series, Pugh changed into a Rodarte gown to continue celebrating her Netflix project.

Her sheath-style pink dress was completely sheer. It had spaghetti straps with brooch attachments at each side of the gown, and a coordinating scarf completed the ensemble.

The silhouette was simple, but the fabric made the dress bold.

Pugh attended an evening event for “East of Eden” in an Erdem ensemble.

She wore a sparkly crop top with a bra-like bodice, which matched the top of her high-waisted skirt. At her lower hip, the skirt switched to gray pleated fabric that flowed around her ankles, creating the illusion of wearing two separates at the bottom of her ensemble.

A bow sat on one side, and Pugh added a bow to her hair as well to play up the feminine side of the look.

Pugh wore one of her most daring looks of the year to a California screening of “East of Eden.”

Her yellow archival Rodarte set was made of sheer fabric, with subtle polka dots lining the pattern. Her top had a collared neckline with ruffles flowing around it, and a floral pattern curving around her torso.

The skirt had the same floral pattern on the sides, with ruffles flowing out from her waist. Gray shoes completed the look.

During her New York visit, Pugh wore a black top and trousers from Chloé with Aquazurra shoes.

The embroidered top had a modified corset with a peplum and puffy sleeves. Lace trimmed the collar and sleeves.

The top had a vintage feel, while the billowing pants, which cinched at Pugh’s ankle with a bow, put a modern spin on the look. Small sunglasses and a purse with fringe detailing brought Pugh’s look together.

Pugh wore another yellow look to the New York “East of Eden” premiere, arriving in a custom Vivienne Westwood gown.

The gown’s corset bodice had a zipper lining the center, framed by silver sparkle embellishments on either side. It had a modern sweetheart neckline, with the center curve dipping low on Pugh’s chest.

An off-the-shoulder shrug sat on her shoulders, with its voluminous sleeves contrasting with the modern bodice. The gown’s gray skirt hugged Pugh’s figure before flowing into a subtle train.